| Play | Key Line | Modern Text | Original Text |
| Coriolanus | Cor I.viii.10 | Wherein thou seest me masked. For thy revenge | Wherein thou seest me maskt, for thy Reuenge |
| King Edward III | E3 II.i.149 | And, being unmasked, outshine the golden sun. | And being vnmaskt outshine the golden sun, |
| Love's Labour's Lost | LLL I.ii.88 | Most maculate thoughts, master, are masked under | Most immaculate thoughts Master, are mask'd vnder |
| Love's Labour's Lost | LLL V.ii.127 | For, ladies, we shall every one be masked, | For Ladies; we will euery one be maskt, |
| Love's Labour's Lost | LLL V.ii.157 | The trumpet sounds. Be masked – the masquers come. | The Trompet sounds, be maskt, the maskers come. |
| Love's Labour's Lost | LLL V.ii.295 | Fair ladies masked are roses in their bud; | Faire Ladies maskt, are Roses in their bud: |
| Love's Labour's Lost | LLL V.ii.296 | Dismasked, their damask sweet commixture shown, | Dismaskt, their damaske sweet commixture showne, |
| Love's Labour's Lost | LLL V.ii.337.2 | having unmasked and exchanged favours, with | |
| The Merry Wives of Windsor | MW IV.vi.40 | For they must all be masked and vizarded – | For they must all be mask'd, and vizarded) |
| Much Ado About Nothing | MA V.iv.12 | And when I send for you, come hither masked. | And when I send for you, come hither mask'd: |
| Much Ado About Nothing | MA V.iv.52 | Enter Antonio, with the Ladies masked | Enter brother, Hero, Beatrice, Margaret, Vrsula. |
| Pericles | Per III.iii.36 | Then give you up to the masked Neptune, and | then giue you vp to the mask'd Neptune, and |
| Romeo and Juliet | RJ I.v.38 | Some five-and-twenty years; and then we masked. | Some fiue and twenty yeares, and then we Maskt. |
| The Two Gentlemen of Verona | TG V.ii.40 | But, being masked, he was not sure of it; | But being mask'd, he was not sure of it. |