| Play | Key Line | Modern Text | Original Text |
| Cymbeline | Cym I.v.166 | wagers recorded. | Wagers recorded. |
| King Edward III | E3 II.ii.26 | And hath accorded to your highness' suit – | And hath accorded to your highnes suite, |
| Love's Labour's Lost | LLL I.i.18 | That are recorded in this schedule here. | That are recorded in this scedule heere. |
| Macbeth | Mac V.v.21 | To the last syllable of recorded time; | To the last Syllable of Recorded time: |
| Measure for Measure | MM II.iv.61 | I, now the voice of the recorded law, | I (now the voyce of the recorded Law) |
| The Merchant of Venice | MV IV.i.217 | 'Twill be recorded for a precedent, | 'Twill be recorded for a President, |
| Richard III | R3 III.v.27 | Made him my book, wherein my soul recorded | Made him my Booke, wherein my Soule recorded |
| Timon of Athens | Tim IV.ii.4 | Let me be recorded by the righteous gods, | Let me be recorded by the righteous Gods, |
| The Two Gentlemen of Verona | TG II.vi.33 | This night he meaneth with a corded ladder | This night he meaneth with a Corded-ladder |
| The Two Gentlemen of Verona | TG III.i.40 | And with a corded ladder fetch her down; | And with a Corded-ladder fetch her downe: |