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Search phrase: voice

Plays

 172 result(s). alternate result(s)
PlayKey LineModern TextOriginal Text
All's Well That Ends WellAW II.iii.53O'er whom both sovereign power and father's voiceOre whom both Soueraigne power, and fathers voice
All's Well That Ends WellAW IV.i.9not thy voice?not thy voice?
Antony and CleopatraAC V.ii.83Crested the world; his voice was propertiedCrested the world: His voyce was propertied
As You Like ItAYL II.iv.84And in my voice most welcome shall you be.And in my voice most welcome shall you be.
As You Like ItAYL II.v.14My voice is ragged, I know I cannot please you.My voice is ragged, I know I cannot please you.
As You Like ItAYL II.vii.162For his shrunk shank, and his big manly voice,For his shrunke shanke, and his bigge manly voice,
As You Like ItAYL V.iii.12only prologues to a bad voice?onely prologues to a bad voice.
The Comedy of ErrorsCE V.i.301But tell me yet, dost thou not know my voice?But tell me yet, dost thou not know my voice
The Comedy of ErrorsCE V.i.308Not know my voice? O time's extremity,Not know my voice, oh times extremity 
CoriolanusCor II.ii.80I shall lack voice. The deeds of CoriolanusI shall lacke voyce: the deeds of Coriolanus
CoriolanusCor II.iii.76(to the Second Citizen) Your good voice, sir. What sayyour good voice Sir, what say
CoriolanusCor II.iii.132any honest man's voice.any honest mans Voyce.
CoriolanusCor II.iii.139Endue you with the people's voice. Remainsendue you with the Peoples Voyce, / Remaines,
CoriolanusCor II.iii.214Their liberties; make them of no more voiceTheir Liberties, make them of no more Voyce
CoriolanusCor II.iii.233To voice him consul. Lay the fault on us.To Voyce him Consull. Lay the fault on vs.
CoriolanusCor III.i.119.1One that speaks thus their voice?One that speakes thus, their voyce?
CoriolanusCor III.ii.114Small as an eunuch or the virgin voiceSmall as an Eunuch, or the Virgin voyce
CoriolanusCor III.iii.59That being passed for consul with full voice,That being past for Consull with full voyce:
CoriolanusCor III.iii.73‘ Thou liest ’ unto thee with a voice as freeThou lyest vnto thee, with a voice as free,
CoriolanusCor IV.v.80And suffered me by th' voice of slaves to beAnd suffer'd me by th' voyce of Slaues to be
CoriolanusCor IV.vi.98Upon the voice of occupation andVpon the voyce of occupation, and
CymbelineCym II.iii.29voice of unpaved eunuch to boot, can never amend.voyce of vnpaued Eunuch to boot, can neuer amed.
CymbelineCym III.v.116relief, nor my voice for thy preferment.releefe, nor my voyce for thy preferment.
CymbelineCym IV.ii.105Which then he wore: the snatches in his voice,Which then he wore: the snatches in his voice,
HamletHam I.i.129If thou hast any sound or use of voice,If thou hast any sound, or vse of Voyce,
HamletHam I.ii.45And lose your voice. What wouldst thou beg, Laertes,And loose your voyce. What would'st thou beg Laertes,
HamletHam I.iii.23Unto the voice and yielding of that bodyVnto the voyce and yeelding of that Body,
HamletHam I.iii.28Than the main voice of Denmark goes withal.Then the maine voyce of Denmarke goes withall.
HamletHam I.iii.68Give every man thine ear, but few thy voice.Giue euery man thine eare; but few thy voyce:
HamletHam II.ii.426chopine. Pray God your voice, like a piece of uncurrentChoppine. Pray God your voice like a peece of vncurrant
HamletHam II.ii.553A broken voice, and his whole function suitingA broken voyce, and his whole Function suiting
HamletHam III.ii.349voice of the King himself for your succession invoyce of the King himselfe, for your Succession in
HamletHam III.ii.376voice, in this little organ. Yet cannot you make itVoice, in this little Organe, yet cannot you make it.
HamletHam V.ii.243I have a voice and precedent of peaceI haue a voyce, and president of peace
HamletHam V.ii.350On Fortinbras. He has my dying voice.On Fortinbras, he ha's my dying voyce,
HamletHam V.ii.386And from his mouth whose voice will draw on more.And from his mouth / Whose voyce will draw on more:
Henry IV Part 11H4 II.ii.49O, 'tis our setter, I know his voice. Bardolph, whatO 'tis our Setter, I know his voyce: Bardolfe, what
Henry IV Part 22H4 I.ii.184an increasing belly? Is not your voice broken, your windan incresing belly? Is not your voice broken? your winde
Henry IV Part 22H4 I.ii.190round belly. For my voice, I have lost it with hallooing,round belly. For my voice, I haue lost it with hallowing
Henry IV Part 22H4 III.i.93Rumour doth double, like the voice and echo,Rumor doth double, like the Voice, and Eccho,
Henry IV Part 22H4 IV.i.134For all the country, in a general voice,For all the Countrey, in a generall voyce,
Henry IV Part 22H4 IV.ii.19To us th' imagined voice of God himself,To vs, th' imagine Voyce of Heauen it selfe:
Henry IV Part 22H4 IV.iii.99delectable shapes, which delivered o'er to the voice, thedelectable shapes; which deliuer'd o're to the Voyce, the
Henry IV Part 22H4 V.ii.119My voice shall sound as you do prompt mine ear,My voice shall sound, as you do prompt mine eare,
Henry VH5 II.ii.113Hath got the voice in hell for excellence.Hath got the voyce in hell for excellence:
Henry VH5 III.vi.45Therefore go speak – the Duke will hear thy voice;Therefore goe speake, the Duke will heare thy voyce;
Henry VH5 III.vi.121ripe. Now we speak upon our cue, and our voice isripe. Now wee speake vpon our Q. and our voyce is
Henry VH5 IV.i.299.2My brother Gloucester's voice? Ay,My Brother Gloucesters voyce? I:
Henry VH5 IV.iv.66I did never know so full a voice issue from so empty aI did neuer know so full a voyce issue from so emptie a
Henry VH5 V.ii.93Haply a woman's voice may do some good,Happily a Womans Voyce may doe some good,
Henry VH5 V.ii.241music – for thy voice is music, and thy English broken;Musick; for thy Voyce is Musick, and thy English broken:
Henry VH5 V.ii.283is not smooth; so that, having neither the voice nor theis not smooth: so that hauing neyther the Voyce nor the
Henry VI Part 11H6 I.iii.16Lieutenant, is it you whose voice I hear?Lieutenant, is it you whose voyce I heare?
Henry VI Part 11H6 IV.i.182Well didst thou, Richard, to suppress thy voice;Well didst thou Richard to suppresse thy voice:
Henry VI Part 11H6 V.iv.121The hollow passage of my poisoned voice,The hollow passage of my poyson'd voyce,
Henry VI Part 22H6 I.i.36Lords, with one cheerful voice welcome my love.Lords, with one cheerefull voice, Welcome my Loue.
Henry VI Part 22H6 I.i.158Clapping their hands and crying with loud voiceClapping their hands, and crying with loud voyce,
Henry VI Part 22H6 II.i.93Myself have heard a voice to call him so.my selfe haue heard a Voyce, / To call him so.
Henry VI Part 33H6 I.iv.76Dicky your boy, that with his grumbling voiceDickie, your Boy, that with his grumbling voyce
Henry VIIIH8 I.ii.70A single voice, and that not passed me butA single voice, and that not past me, but
Henry VIIIH8 I.iv.50.2What warlike voice,What warlike voyce,
Henry VIIIH8 II.ii.86Your scruple to the voice of Christendom.Your scruple to the voyce of Christendome:
Henry VIIIH8 III.ii.405Going to chapel, and the voice is nowGoing to Chappell: and the voyce is now
Henry VIIIH8 IV.ii.11.2Well, the voice goes, madam:Well, the voyce goes Madam,
Henry VIIIH8 V.iii.175The common voice, I see, is verifiedThe common voyce I see is verified
Julius CaesarJC I.iii.41.3Casca, by your voice.Caska, by your Voyce.
Julius CaesarJC III.i.49Is there no voice more worthy than my own,Is there no voyce more worthy then my owne,
Julius CaesarJC III.i.177Your voice shall be as strong as any man'sYour voyce shall be as strong as any mans,
Julius CaesarJC III.i.261To beg the voice and utterance of my tongue – To begge the voyce and vtterance of my Tongue)
Julius CaesarJC III.i.272Shall in these confines with a monarch's voiceShall in these Confines, with a Monarkes voyce,
Julius CaesarJC IV.i.16And took his voice who should be pricked to dieAnd tooke his voyce who should be prickt to dye
King Edward IIIE3 II.i.26Her voice more silver every word than other,Her voice more siluer euery word then other,
King Edward IIIE3 II.i.107Her voice to music or the nightingale – Her voice to musicke or the nightingale,
King Edward IIIE3 V.i.105So must my voice be tragical again,So must my voice be tragicall againe,
King JohnKJ III.iv.41Which cannot hear a lady's feeble voice,Which cannot heare a Ladies feeble voyce,
King JohnKJ V.ii.145Thinking his voice an armed Englishman – Thinking this voyce an armed Englishman.
King LearKL III.vi.29The foul fiend haunts Poor Tom in the voice of a
King LearKL IV.vi.7Methinks thy voice is altered, and thou speak'stMe thinkes thy voyce is alter'd, and thou speak'st
King LearKL IV.vi.95I know that voice.I know that voice.
King LearKL IV.vi.106The trick of that voice I do well remember.The tricke of that voyce, I do well remember:
King LearKL V.iii.270What is't thou sayest? Her voice was ever soft,What is't thou saist? Her voice was euer soft,
Love's Labour's LostLLL IV.ii.115Thy eye Jove's lightning bears, thy voice his dreadful thunder,Thy eye Ioues lightning beares, thy voyce his dreadfull thunder.
Love's Labour's LostLLL IV.iii.320And when Love speaks, the voice of all the godsAnd when Loue speakes, the voyce of all the Gods,
MacbethMac II.ii.35Methought I heard a voice cry, ‘ Sleep no more!Me thought I heard a voyce cry, Sleep no more:
MacbethMac V.vi.46My voice is in my sword, thou bloodier villainMy voice is in my Sword, thou bloodier Villaine
Measure for MeasureMM I.ii.179Implore her, in my voice, that she make friendsImplore her, in my voice, that she make friends
Measure for MeasureMM I.iv.7It is a man's voice. Gentle Isabella,It is a mans voice: gentle Isabella
Measure for MeasureMM II.iv.61I, now the voice of the recorded law,I (now the voyce of the recorded Law)
Measure for MeasureMM III.i.90Did utter forth a voice. Yes, thou must die.Did vtter forth a voice. Yes, thou must die:
Measure for MeasureMM V.i.326I remember you, sir, by the sound of your voice. II remember you Sir, by the sound of your voice, / I
The Merchant of VeniceMV II.ii.168Thou art too wild, too rude and bold of voice,Thou art to wilde, to rude, and bold of voyce,
The Merchant of VeniceMV III.ii.76But being seasoned with a gracious voice,But being season'd with a gracious voice,
The Merchant of VeniceMV III.ii.81There is no vice so simple but assumesThere is no voice so simple, but assumes
The Merchant of VeniceMV III.iv.67With a reed voice, and turn two mincing stepsWith a reede voyce, and turne two minsing steps
The Merchant of VeniceMV IV.i.353Of the Duke only, 'gainst all other voice,Of the Duke onely, gainst all other voice.
The Merchant of VeniceMV V.i.110.2That is the voice,That is the voice,
The Merchant of VeniceMV V.i.113.1By the bad voice.by the bad voice?
The Merry Wives of WindsorMW I.iii.42the action of her familiar style; and the hardest voicethe action of her familier stile, & the hardest voice
The Merry Wives of WindsorMW I.iv.151for thee; let me have thy voice in my behalf. If thoufor thee: Let mee haue thy voice in my behalfe: if thou
A Midsummer Night's DreamMND I.i.31With feigning voice verses of feigning love,With faining voice, verses of faining loue,
A Midsummer Night's DreamMND I.i.54But in this kind, wanting your father's voice,But in this kinde, wanting your fathers voyce.
A Midsummer Night's DreamMND I.i.188My ear should catch your voice, my eye your eye,My eare should catch your voice, my eye, your eye,
A Midsummer Night's DreamMND I.ii.48I'll speak in a monstrous little voice: ‘ Thisne, Thisne!’Ile speake in a monstrous little voyce; Thisne, Thisne,
A Midsummer Night's DreamMND I.ii.76but to hang us. But I will aggravate my voice sobut to hang vs: but I will aggrauate my voyce so,
A Midsummer Night's DreamMND III.i.79But hark, a voice. Stay thou but here awhile,But harke, a voyce: stay thou but here a while,
A Midsummer Night's DreamMND III.ii.402.1 (in Demetrius's voice)
A Midsummer Night's DreamMND III.ii.403(in Demetrius's voice)
A Midsummer Night's DreamMND III.ii.407(in Lysander's voice)
A Midsummer Night's DreamMND III.ii.412(in Lysander's voice)
A Midsummer Night's DreamMND III.ii.412Follow my voice. We'll try no manhood here.Follow my voice, we'l try no manhood here.
A Midsummer Night's DreamMND III.ii.421 (in Lysander's voice)
A Midsummer Night's DreamMND III.ii.425 (in Lysander's voice)
A Midsummer Night's DreamMND IV.ii.12paramour for a sweet voice.Paramour, for a sweet voyce.
A Midsummer Night's DreamMND V.i.189I see a voice. Now will I to the chinkI see a voyce; now will I to the chinke,
Much Ado About NothingMA II.iii.42O, good my lord, tax not so bad a voiceO good my Lord, taxe not so bad a voyce,
Much Ado About NothingMA II.iii.82God his bad voice bode no mischief. I had as lief haveGod his bad voyce bode no mischiefe, I had as liefe haue
OthelloOth I.i.94Most reverend signor, do you know my voice?Most reuerend Signior, do you know my voice?
OthelloOth I.ii.13And hath in his effect a voice potentialAnd hath in his effect a voice potentiall
OthelloOth I.iii.223of effects, throws a more safer voice on you. Youof Effects, throwes a more safer voice on you: you
OthelloOth I.iii.243And let me find a charter in your voiceAnd let me finde a Charter in your voice
OthelloOth I.iii.257Let her have your voice.Let her haue your voice.
OthelloOth V.i.28The voice of Cassio: Iago keeps his word.The voyce of Cassio, Iago keepes his word.
OthelloOth V.ii.120Out and alas, that was my lady's voice!Out, and alas, that was my Ladies voice.
PericlesPer IV.ii.90I have drawn her picture with my voice.I haue drawne her picture with my voice.
PericlesPer V.iii.13.2Voice and favour!Voyce and fauour,
PericlesPer V.iii.34.2The voice of dead Thaisa!The voyce of dead Thaisa.
Richard IIIR3 I.iv.170Thy voice is thunder, but thy looks are humble.Thy voice is Thunder, but thy looks are humble.
Richard IIIR3 I.iv.171My voice is now the King's, my looks mine own.My voice is now the Kings, my lookes mine owne.
Richard IIIR3 III.ii.53But that I'll give my voice on Richard's sideBut, that Ile giue my voice on Richards side,
Richard IIIR3 III.iv.19And in the Duke's behalf I'll give my voice,And in the Dukes behalfe Ile giue my Voice,
Richard IIIR3 III.iv.28I mean, your voice for crowning of the King.I meane your Voice, for Crowning of the King.
Richard IIIR3 IV.iv.17So many miseries have crazed my voiceSo many miseries haue craz'd my voyce,
Romeo and JulietRJ I.ii.19Lies my consent and fair according voice.Lyes my consent, and faire according voice:
Romeo and JulietRJ I.v.54This, by his voice, should be a Montague.This by his voice, should be a Mountague.
Romeo and JulietRJ II.ii.158Hist! Romeo, hist! O for a falconer's voice,Hist Romeo hist: O for a Falkners voice,
Romeo and JulietRJ III.v.33Since arm from arm that voice doth us affray,Since arme from arme that voyce doth vs affray,
Romeo and JulietRJ V.ii.2This same should be the voice of Friar John.This same should be the voice of Frier Iohn.
The Taming of the ShrewTS induction.1.130Voice, gait, and action of a gentlewoman.Voice, gate, and action of a Gentlewoman:
The TempestTem II.ii.86I should know that voice. It should be – butI should know that voyce: It should be, But
The TempestTem II.ii.89 monster. His forward voice now is to speak well of hisMonster: his forward voyce now is to speake well of his
The TempestTem II.ii.90friend. His backward voice is to utter foul speeches andfriend; his backward voice, is to vtter foule speeches, and
Timon of AthensTim II.ii.209They answer, in a joint and corporate voice,They answer in a ioynt and corporate voice,
Timon of AthensTim III.v.1My lord, you have my voice to't; the fault's bloody.My Lord, you haue my voyce, too't, / The faults Bloody:
Timon of AthensTim IV.iii.154And mar men's spurring. Crack the lawyer's voice,And marre mens spurring. Cracke the Lawyers voyce,
Titus AndronicusTit I.i.21A special party, have by common voiceA speciall Party, haue by Common voyce
Titus AndronicusTit V.iii.139The common voice do cry it shall be so.The common voyce do cry it shall be so.
Troilus and CressidaTC prologue.24Of author's pen or actor's voice, but suitedOf Authors pen, or Actors voyce; but suited
Troilus and CressidaTC I.i.55Her eyes, her hair, her cheek, her gait, her voice;Her Eyes, her Haire, her Cheeke, her Gate, her Voice,
Troilus and CressidaTC I.iii.187With an imperial voice, many are infect.With an Imperiall voyce, many are infect:
Troilus and CressidaTC I.iii.221'Fore all the Greekish lords, which with one voice'Fore all the Greekish heads, which with one voyce
Troilus and CressidaTC I.iii.257Send thy brass voice through all these lazy tents;Send thy Brasse voyce through all these lazie Tents,
Troilus and CressidaTC II.ii.99'Tis our mad sister. I do know her voice.'Tis our mad sister, I do know her voyce.
Troilus and CressidaTC II.ii.173Have ears more deaf than adders to the voiceHaue eares more deafe then Adders, to the voyce
Troilus and CressidaTC II.iii.139In second voice we'll not be satisfied;In second voyce weele not be satisfied,
Troilus and CressidaTC III.ii.86They that have the voice of lions and the act of hares,They that haue the voyce of Lyons, and the act of Hares:
Troilus and CressidaTC III.iii.121The voice again; or, like a gate of steelThe voyce againe; or like a gate of steele,
Troilus and CressidaTC IV.ii.107Crack my clear voice with sobs, and break my heartCracke my cleere voyce with sobs, and breake my heart
Troilus and CressidaTC IV.v.70By any voice or order of the field?By any voyce, or order of the field:
Troilus and CressidaTC V.iii.74To take that course by your consent and voice,To take that course by your consent and voice,
Twelfth NightTN II.iii.51A mellifluous voice, as I am true knight.A mellifluous voyce, as I am true knight.
Twelfth NightTN II.iii.90voice? Is there no respect of place, persons, nor time invoice? Is there no respect of place, persons, nor time in
Twelfth NightTN III.i.85My matter hath no voice, lady, but to your ownMy matter hath no voice Lady, but to your owne
Twelfth NightTN III.iv.344Nor know I you by voice or any feature.Nor know I you by voyce, or any feature:
Twelfth NightTN IV.ii.65To him in thine own voice, and bring me wordTo him in thine owne voyce, and bring me word
Twelfth NightTN IV.ii.95(In priest's voice) Malvolio, Malvolio, thy wits theMaluolio, Maluolio, thy wittes the
Twelfth NightTN IV.ii.100voice) Who, I, sir? Not I, sir. God buy you, good SirWho I sir, not I sir. God buy you good sir
Twelfth NightTN IV.ii.101Topas! (In priest's voice) Marry, amen! (In own voice)Topas: Marry Amen.
Twelfth NightTN V.i.213One face, one voice, one habit, and two persons!One face, one voice, one habit, and two persons,
The Two Gentlemen of VeronaTG IV.ii.86You would quickly learn to know him by his voice.You would quickly learne to know him by his voice.
The Two Noble KinsmenTNK IV.i.56I heard a voice, a shrill one; and attentiveI heard a voyce, a shrill one, and attentive
The Two Noble KinsmenTNK V.ii.14I have no voice, sir, to confirm her that way.I have no voice Sir, to confirme her that way.
The Winter's TaleWT III.i.9And the ear-deaf'ning voice o'th' oracle,And the eare-deaff'ning Voyce o'th' Oracle,

Poems

 10 result(s).
PlayKey LineModern TextOriginal Text
A Lover's ComplaintLC.3 My spirits t' attend this double voice accorded, My spirrits t'attend this doble voyce accorded,
The Passionate PilgrimPP.5.11 Thine eye Jove's lightning seems, thy voice his dreadful thunder, Thine eye Ioues lightning seems, thy voice his dreadfull thunder
The Rape of LucreceLuc.678 Till with her own white fleece her voice controlled Till with her own white fleece her voice controld,
The Rape of LucreceLuc.1661 With head declined, and voice dammed up with woe, With head declin'd, and voice dam'd vp with wo,
SonnetsSonn.69.3 All tongues (the voice of souls) give thee that due, All toungs (the voice of soules) giue thee that end,
Venus and AdonisVen.134 Ill-nurtured, crooked, churlish, harsh in voice, Il-nurtur'd, crooked, churlish, harsh in voice,
Venus and AdonisVen.429 Thy mermaid's voice hath done me double wrong; Thy marmaides voice hath done me double wrong,
Venus and AdonisVen.921 Against the welkin volleys out his voice; Against the welkin, volies out his voyce,
Venus and AdonisVen.978 And flatters her it is Adonis' voice. And flatters her, it is Adonis voyce.
Venus and AdonisVen.1061 Her voice is stopped, her joints forget to bow; Her voice is stopt, her ioynts forget to bow,

Glossary

 34 result(s).
accentsound, voice quality, way of talking
baseutter with bass voice, proclaim resonantly
bass, baseutter with bass voice, proclaim resonantly
breastsinging voice, pair of lungs
breathutterance, speech, voice
breathvoice, song, sound
bringexpress, utter, voice
callspeak out, give voice
conscienceinternal reflection, inner voice, inmost thought
crackbroken voice quality
false[of an instrument or voice] out of tune, discordant
faneoracle, temple-voice
harpguess, express in words, give voice to
keytone, voice, manner of expression
lisptalk in a loving voice
mouthutterance, expression, voice
outbreastoutsing, surpass in voice
pipevoice
quillmusical pipe, voice, note
ringcircle surrounding the sovereign's head [on a coin]; ringing [of the voice]
shrill-gorgedshrill-sounding, with high-pitched voice
tonguespeech, expression, language, words, voice
tonguespokesman, voice
tunesound, tone, voice
utter[unclear meaning] commemorate, express, voice
voicevote, official support
voicesupport, approval, good word
voicevote, elect, appoint
voiceauthoritative opinion, judgement
voicetalk about, acclaim, praise
voicetalk, rumour, opinion
voiceshout of acclamation, cry of applause
voicevoter, person offering support
voxproper voice, right manner of speaking

Thesaurus

 33 result(s).
bass voice, utter withbass, base
broken voice qualitycrack
high-pitched voice, with shrill-gorged
inner voiceconscience
loving voice, talk in a lisp
proper voicevox
ringing [voice]ring
singing voicebreast
small [voice]little
surpass in voiceoutbreast
temple-voicefane
tiny [voice]little
voicebreath
voicebreath
voicebring
voicekey
voicemouth
voicepipe
voicequill
voicetongue
voicetongue
voicetune
voiceutter
voice qualityaccent
voice quality, brokencrack
voice, givecall
voice, giveharp
voice, innerconscience
voice, propervox
voice, singingbreast
voice, surpass inoutbreast
voice, talk in a lovinglisp
voice, with high-pitched shrill-gorged

Themes and Topics

 3 result(s).
Exclamations...itting a wide range of possible tones of voice these are a or ah (2h4 ii i 49) ha (mm...
Latin...lled voce (n f ) h8 ii i 18 vox voice vos (pron ) e3 iii iv 126   you ...
Frequently Encountered Words (FEW)...put my visage in see also visage (n ) 2 voice (n ) vote official support cor ii iii ...
...[coriolanus to second citizen] your good voice sir what say you cor ii iii 155 [fir...
...nius of coriolanus] he has our voices voice (n ) 2--5 (v ) want (v ) lack need b...

Words Families

 6 result(s).
Word FamilyWord Family GroupWords
OUTVOICEBASICsee VOICE
VOICEBASICvoice n
VOICEINTENSITYoutvoice v
VOICETYPElow-voiced adj, shrill-voiced adj, silver-voiced adj

Snippets

 0 result(s).
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