| Play | Key Line | Modern Text | Original Text |
| All's Well That Ends Well | AW III.vii.40 | With musics of all sorts, and songs composed | With Musickes of all sorts, and songs compos'd |
| Antony and Cleopatra | AC II.v.1 | Give me some music – music, moody food | Giue me some Musicke: Musicke, moody foode |
| Antony and Cleopatra | AC II.v.2.2 | The music, ho! | The Musicke, hoa. |
| Antony and Cleopatra | AC II.v.11 | My music playing far off, I will betray | My Musicke playing farre off. I will betray |
| Antony and Cleopatra | AC II.vii.1 | Music plays. Enter two or three Servants, with a banquet | Musicke playes. Enter two or three Seruants with a Banket. |
| Antony and Cleopatra | AC II.vii.107 | Make battery to our ears with the loud music; | Make battery to our eares with the loud Musicke, |
| Antony and Cleopatra | AC II.vii.111 | Music plays. Enobarbus places them hand in hand | Musicke Playes. Enobarbus places them hand in hand. |
| Antony and Cleopatra | AC IV.iii.13 | Music of hautboys under the stage | Musicke of the Hoboyes is vnder the Stage. |
| Antony and Cleopatra | AC IV.iii.14.2 | Music i'th' air. | Musicke i'th'Ayre. |
| As You Like It | AYL I.ii.132 | music in his sides? Is there yet another dotes upon | Musicke in his sides? Is there yet another doates vpon |
| As You Like It | AYL II.vii.5 | If he, compact of jars, grow musical, | If he compact of iarres, grow Musicall, |
| As You Like It | AYL II.vii.174 | Give us some music and, good cousin, sing. | Giue vs some Musicke, and good Cozen, sing. |
| As You Like It | AYL IV.i.11 | emulation; nor the musician's, which is fantastical; nor | emulation: nor the Musitians, which is fantasticall; nor |
| As You Like It | AYL IV.ii.9b | SONG | Musicke, Song. |
| As You Like It | AYL V.iv.105.2 | and Celia as themselves. Still music | and Celia.Still Musicke. |
| As You Like It | AYL V.iv.175 | Play, music, and you, brides and bridegrooms all, | Play Musicke, and you Brides and Bride-groomes all, |
| The Comedy of Errors | CE II.ii.123 | That never words were music to thine ear, | That neuer words were musicke to thine eare, |
| Coriolanus | Cor IV.v.1 | Music plays. Enter a Servingman | Musicke playes. Enter a Seruingman. |
| Coriolanus | Cor IV.v.61 | A name unmusical to the Volscians' ears, | A name vnmusicall to the Volcians eares, |
| Cymbeline | Cym II.iii.11 | I would this music would come: I am advised to give | I would this Musicke would come: I am aduised to giue |
| Cymbeline | Cym II.iii.12 | her music a mornings, they say it will penetrate. | her Musicke a mornings, they say it will penetrate. |
| Cymbeline | Cym II.iii.13 | Enter Musicians | Enter Musitians. |
| Cymbeline | Cym II.iii.27 | your music the better: if it do not, it is a vice in her | your Musicke the better: if it do not, it is a voyce in her |
| Cymbeline | Cym II.iii.29 | Exeunt Musicians | |
| Cymbeline | Cym II.iii.38 | I have assailed her with musics, but she vouchsafes | I haue assayl'd her with Musickes, but she vouchsafes |
| Cymbeline | Cym III.iv.177 | If that his head have ear in music, doubtless | If that his head haue eare in Musicke, doubtlesse |
| Cymbeline | Cym IV.ii.186 | (Solemn music) | Solemn Musick. |
| Cymbeline | Cym V.iv.30.1 | Solemn music. Enter (as in an apparition) Sicilius Leonatus, father | Solemne Musicke. Enter (as in an Apparation) Sicillius Leonatus, Father |
| Cymbeline | Cym V.iv.30.3 | an ancient matron (his wife, and mother to Posthumus) with music | an ancient Matron (his wife, & Mother to Posthumus) with Musicke |
| Cymbeline | Cym V.iv.30.4 | before them. Then, after other music, follow the two young Leonati | before them. Then after other Musicke, followes the two young Leonati |
| Hamlet | Ham II.i.73.1 | And let him ply his music. | And let him plye his Musicke. |
| Hamlet | Ham III.i.157 | That sucked the honey of his music vows, | That suck'd the Honie of his Musicke Vowes: |
| Hamlet | Ham III.ii.300 | Aha! Come, some music! Come, the recorders! | Oh, ha? Come some Musick. Come ye Recorders: |
| Hamlet | Ham III.ii.303 | Come, some music! | Come some Musicke. |
| Hamlet | Ham III.ii.367 | and it will discourse most eloquent music. Look you, | and it will discourse most excellent Musicke. Looke you, |
| Hamlet | Ham III.ii.375 | the top of my compass. And there is much music, excellent | the top of my Compasse: and there is much Musicke, excellent |
| Hamlet | Ham III.iv.142 | And makes as healthful music. It is not madness | And makes as healthfull Musicke. It is not madnesse |
| Hamlet | Ham V.ii.393 | The soldiers' music and the rites of war | The Souldiours Musicke, and the rites of Warre |
| Henry IV Part 1 | 1H4 III.i.218 | Do so, and those musicians that shall play to you | Doe so: / And those Musitians that shall play to you, |
| Henry IV Part 1 | 1H4 III.i.224 | The music plays | The Musicke playes. |
| Henry IV Part 1 | 1H4 III.i.226 | By'r lady, he is a good musician. | Byrlady hee's a good Musitian. |
| Henry IV Part 1 | 1H4 III.i.227 | Then should you be nothing but musical, | Then would you be nothing but Musicall, |
| Henry IV Part 1 | 1H4 V.ii.98 | And by that music let us all embrace, | And by that Musicke, let vs all imbrace: |
| Henry IV Part 2 | 2H4 II.iv.12 | would fain hear some music. | would faine haue some Musique. |
| Henry IV Part 2 | 2H4 II.iv.221 | Enter musicians | Enter Musique. |
| Henry IV Part 2 | 2H4 II.iv.221 | The music is come, sir. | The Musique is come, Sir. |
| Henry IV Part 2 | 2H4 II.iv.223.1 | (Music) | |
| Henry IV Part 2 | 2H4 II.iv.368 | Pay the musicians, sirrah. Farewell, | Pay the Musitians, Sirrha: farewell |
| Henry IV Part 2 | 2H4 II.iv.376 | Exit with Bardolph, Peto, Page, and musicians | Exit. |
| Henry IV Part 2 | 2H4 IV.v.3 | Will whisper music to my weary spirit. | Will whisper Musicke to my wearie Spirit. |
| Henry IV Part 2 | 2H4 IV.v.4 | Call for the music in the other room. | Call for the Musicke in the other Roome. |
| Henry IV Part 2 | 2H4 V.v.111 | Whose music, to my thinking, pleased the King. | Whose Musicke (to my thinking) pleas'd the King. |
| Henry V | H5 I.i.44 | A fearful battle rendered you in music. | A fearefull Battaile rendred you in Musique. |
| Henry V | H5 I.ii.183.1 | Like music. | Like Musicke. |
| Henry V | H5 III.vii.17 | of his hoof is more musical than the pipe of Hermes. | of his hoofe, is more Musicall then the Pipe of Hermes |
| Henry V | H5 V.ii.241 | music – for thy voice is music, and thy English broken; | Musick; for thy Voyce is Musick, and thy English broken: |
| Henry VI Part 1 | 1H6 IV.ii.40 | Sings heavy music to thy timorous soul; | Sings heauy Musicke to thy timorous soule, |
| Henry VI Part 2 | 2H6 II.i.54 | How irksome is this music to my heart! | How irkesome is this Musick to my heart? |
| Henry VI Part 2 | 2H6 II.i.66.2 | with music, bearing the man Simpcox between two | bearing the man betweene two |
| Henry VI Part 2 | 2H6 III.ii.326 | Their music frightful as the serpent's hiss, | Their Musicke, frightfull as the Serpents hisse, |
| Henry VIII | H8 I.iii.47.1 | Held current music too. | Held currant Musicke too. |
| Henry VIII | H8 I.iv.77 | Music. Dance | Musicke, Dance. |
| Henry VIII | H8 I.iv.108 | Who's best in favour. Let the music knock it. | Who's best in fauour. Let the Musicke knock it. |
| Henry VIII | H8 III.i.6 | To his music plants and flowers | To his Musicke, Plants and Flowers |
| Henry VIII | H8 III.i.12 | In sweet music is such art, | In sweet Musicke is such Art, |
| Henry VIII | H8 IV.i.37.7 | Music | Musicke. |
| Henry VIII | H8 IV.i.91 | With all the choicest music of the kingdom, | With all the choysest Musicke of the Kingdome, |
| Henry VIII | H8 IV.ii.78 | Cause the musicians play me that sad note | Cause the Musitians play me that sad note |
| Henry VIII | H8 IV.ii.81.1 | Sad and solemn music | Sad and solemne Musicke. |
| Henry VIII | H8 IV.ii.83.17 | music continues | Musicke continues. |
| Henry VIII | H8 IV.ii.94.2 | Bid the music leave, | Bid the Musicke leaue, |
| Henry VIII | H8 IV.ii.95 | Music ceases | Musicke ceases. |
| Julius Caesar | JC I.ii.16 | I hear a tongue shriller than all the music | I heare a Tongue shriller then all the Musicke |
| Julius Caesar | JC I.ii.203 | As thou dost, Antony; he hears no music; | As thou dost Antony: he heares no Musicke; |
| Julius Caesar | JC IV.iii.265.1 | Music, and a song | Musicke, and a Song. |
| Julius Caesar | JC IV.iii.267 | That plays thee music? Gentle knave, good night; | That playes thee Musicke? Gentle knaue good night: |
| King Edward III | E3 II.i.107 | Her voice to music or the nightingale – | Her voice to musicke or the nightingale, |
| King Edward III | E3 II.i.108 | To music every summer-leaping swain | To musicke euery sommer leaping swaine, |
| King Edward III | E3 III.i.38 | But soft, I hear the music of their drums, | But soft I heare the musicke of their drums. |
| King Lear | KL IV.iv.25 | Music sounds off stage | |
| King Lear | KL IV.vii.25 | Please you draw near. – Louder the music there! | |
| Love's Labour's Lost | LLL I.i.164 | One who the music of his own vain tongue | One, who the musicke of his owne vaine tongue, |
| Love's Labour's Lost | LLL IV.ii.116 | Which, not to anger bent, is music and sweet fire. | Which not to anger bent, is musique, and sweet fire. |
| Love's Labour's Lost | LLL IV.iii.318 | Subtle as Sphinx; as sweet and musical | Subtill as Sphinx, as sweet and musicall, |
| Love's Labour's Lost | LLL V.ii.158.1 | Enter blackamoors with music, Mote with a speech, | Enter Black moores with musicke, the Boy with a speech, |
| Love's Labour's Lost | LLL V.ii.211 | Play music then! Nay, you must do it soon. | Play musicke then: nay you must doe it soone. |
| Love's Labour's Lost | LLL V.ii.216 | The music plays; vouchsafe some motion to it. | The musick playes, vouchsafe some motion to it. |
| Macbeth | Mac III.v.33 | Music and a song | Musicke, and a Song. |
| Macbeth | Mac IV.i.43 | Music and a song: ‘ Black spirits,’ etc. | Musicke and a Song. Blacke Spirits, &c. |
| Macbeth | Mac IV.i.131 | Music. The Witches dance; and vanish | Musicke. The Witches Dance, and vanish |
| Measure for Measure | MM IV.i.11 | You had not found me here so musical. | You had not found me here so musicall. |
| Measure for Measure | MM IV.i.14 | 'Tis good, though music oft hath such a charm | 'Tis good; though Musick oft hath such a charme |
| The Merchant of Venice | MV III.ii.43 | Let music sound while he doth make his choice, | Let musicke sound while he doth make his choise, |
| The Merchant of Venice | MV III.ii.45 | Fading in music. That the comparison | Fading in musique. That the comparison |
| The Merchant of Venice | MV III.ii.48 | And what is music then? Then music is | And what is musique than? Than musique is |
| The Merchant of Venice | MV III.ii.63.1 | A song the whilst Bassanio comments on the caskets to | Here Musicke. A Song the whilst Bassanio comments on the Caskets to |
| The Merchant of Venice | MV V.i.53 | And bring your music forth into the air. | And bring your musique foorth into the ayre. |
| The Merchant of Venice | MV V.i.55 | Here will we sit and let the sounds of music | Heere will we sit, and let the sounds of musicke |
| The Merchant of Venice | MV V.i.66.1 | Enter Musicians | |
| The Merchant of Venice | MV V.i.68 | And draw her home with music. | And draw her home with musicke. |
| The Merchant of Venice | MV V.i.69 | Music | Play musicke. |
| The Merchant of Venice | MV V.i.69 | I am never merry when I hear sweet music. | I am neuer merry when I heare sweet musique. |
| The Merchant of Venice | MV V.i.76 | Or any air of music touch their ears, | Or any ayre of musicke touch their eares, |
| The Merchant of Venice | MV V.i.79 | By the sweet power of music. Therefore the poet | By the sweet power of musicke: therefore the Poet |
| The Merchant of Venice | MV V.i.82 | But music for the time doth change his nature. | But musicke for time doth change his nature, |
| The Merchant of Venice | MV V.i.83 | The man that hath no music in himself, | The man that hath no musicke in himselfe, |
| The Merchant of Venice | MV V.i.88 | Let no such man be trusted. Mark the music. | Let no such man be trusted: marke the musicke. |
| The Merchant of Venice | MV V.i.97 | Into the main of waters. Music! hark! | Into the maine of waters: musique, harke. Musicke. |
| The Merchant of Venice | MV V.i.98 | It is your music, madam, of the house. | It is your musicke Madame of the house. |
| The Merchant of Venice | MV V.i.106 | No better a musician than the wren. | No better a Musitian then the Wren? |
| The Merchant of Venice | MV V.i.109 | Music ceases | Musicke ceases. |
| A Midsummer Night's Dream | MND II.i.154.1 | To hear the sea-maid's music? | To heare the Sea-maids musicke. |
| A Midsummer Night's Dream | MND IV.i.27 | What, wilt thou hear some music, my sweet love? | What, wilt thou heare some musicke, my sweet loue. |
| A Midsummer Night's Dream | MND IV.i.28 | I have a reasonable good ear in music. Let's have | I haue a reasonable good eare in musicke. Let vs haue |
| A Midsummer Night's Dream | MND IV.i.29 | the tongs and the bones. | the tongs and the bones. Musicke Tongs, Rurall Musicke. |
| A Midsummer Night's Dream | MND IV.i.80 | Titania, music call, and strike more dead | Titania, musick call, and strike more dead |
| A Midsummer Night's Dream | MND IV.i.82 | Music, ho! Music such as charmeth sleep. | Musicke, ho musicke, such as charmeth sleepe. Musick still. |
| A Midsummer Night's Dream | MND IV.i.84 | Sound, music! (Music) Come, my Queen, take hands with me, | Sound musick; come my Queen, take hands with me. |
| A Midsummer Night's Dream | MND IV.i.105 | My love shall hear the music of my hounds. | My Loue shall heare the musicke of my hounds. |
| A Midsummer Night's Dream | MND IV.i.109 | And mark the musical confusion | And marke the musicall confusion |
| A Midsummer Night's Dream | MND IV.i.117 | So musical a discord, such sweet thunder. | So musicall a discord, such sweet thunder. |
| A Midsummer Night's Dream | MND V.i.40 | What masque, what music? How shall we beguile | What maske? What musicke? How shall we beguile |
| Much Ado About Nothing | MA I.ii.2 | son? Hath he provided this music? | son: hath he prouided this musicke? |
| Much Ado About Nothing | MA I.ii.22.2 | accompanied by Balthasar the musician | |
| Much Ado About Nothing | MA I.ii.22 | Cousin, you know what you have to do. (To the musician) | coosins, you know what you haue to doe, |
| Much Ado About Nothing | MA II.i.61 | The fault will be in the music, cousin, if you | The fault will be in the musicke cosin, if you |
| Much Ado About Nothing | MA II.i.136 | Music for the dance | |
| Much Ado About Nothing | MA II.i.140 | Exeunt all dancing, except Don John, Borachio, and Claudio | Exeunt. Musicke for the dance. |
| Much Ado About Nothing | MA II.iii.13 | have known when there was no music with him but the | haue known when there was no musicke with him but the |
| Much Ado About Nothing | MA II.iii.32 | good discourse, an excellent musician, and her hair shall | good discourse: an excellent Musitian, and her haire shal |
| Much Ado About Nothing | MA II.iii.35 | Come, shall we hear this music? | Come, shall we heare this musicke? |
| Much Ado About Nothing | MA II.iii.39 | O, very well, my lord: the music ended, | O very well my Lord: the musicke ended, |
| Much Ado About Nothing | MA II.iii.41 | Enter Balthasar with music | |
| Much Ado About Nothing | MA II.iii.43 | To slander music any more than once. | To slander musicke any more then once. |
| Much Ado About Nothing | MA II.iii.44 | It is the witness still of excellency | It is the witnesse still of excellency, / To slander Musicke any more then once. / Prince. It is the witnesse still of excellencie, |
| Much Ado About Nothing | MA II.iii.56.1 | Music | |
| Much Ado About Nothing | MA II.iii.86 | pray thee, get us some excellent music; for tomorrow | pray thee get vs some excellent musick: for to morrow |
| Much Ado About Nothing | MA V.iii.11 | Now, music, sound, and sing your solemn hymn. | Now musick sound & sing your solemn hymne |
| Much Ado About Nothing | MA V.iv.119 | First, of my word; therefore play, music. | First, of my word, therfore play musick. |
| Othello | Oth II.i.194 | But I'll set down the pegs that make this music, | But Ile set downe the peggs that make this Musicke, |
| Othello | Oth III.i.1.1 | Enter Cassio and Musicians | Enter Cassio, Musitians, and Clowne. |
| Othello | Oth III.i.12 | General so likes your music that he desires you, for | Generall so likes your Musick, that he desires you for |
| Othello | Oth III.i.15 | If you have any music that may not be heard, | If you haue any Musicke that may not be heard, |
| Othello | Oth III.i.16 | to't again. But, as they say, to hear music the General | too't againe. But (as they say) to heare Musicke, the Generall |
| Othello | Oth III.i.20 | Exeunt Musicians | Exit Mu. |
| Othello | Oth IV.i.187 | with her needle, an admirable musician! O, she will sing | with her Needle: an admirable Musitian. Oh she will sing |
| Othello | Oth V.ii.246 | And die in music. (Singing) Willow, willow, willow. | And dye in Musicke: Willough, Willough, Willough. |
| Pericles | Per I.i.6 | Music! | Musicke |
| Pericles | Per I.i.83 | Who, fingered to make man his lawful music, | Who finger'd to make man his lawfull musicke, |
| Pericles | Per II.iii.97 | Loud music is too harsh for ladies' heads, | Lowd Musicke is too harsh for Ladyes heads, |
| Pericles | Per II.v.26 | For your sweet music this last night. I do | For your sweete Musicke this last night: |
| Pericles | Per II.v.30.2 | Sir, you are music's master. | Sir, you are Musickes maister. |
| Pericles | Per III.ii.87 | The rough and woeful music that we have, | the rough and / Wofull Musick that we haue, |
| Pericles | Per III.ii.89.1 | Music plays while Cerimon attends to Thaisa | |
| Pericles | Per III.ii.90.1 | The music there! | The Musicke there: |
| Pericles | Per III.ii.90 | Music again | |
| Pericles | Per Chorus.IV.8 | In music's letters; who hath gained | In Musicks letters, who hath gaind |
| Pericles | Per V.i.79.1 | Marked he your music? | Marke he your Musicke? |
| Pericles | Per V.i.224 | O, heavens bless my girl! But hark, what music? | O heauens blesse my girle, But harke what Musicke |
| Pericles | Per V.i.227 | How sure you are my daughter. But what music? | How sure you are my daughter, but what musicke? |
| Pericles | Per V.i.229 | The music of the spheres! List, my Marina! | the Musicke of the Spheres, list my Marina. |
| Pericles | Per V.i.231.2 | Music, my lord?. | Musicke my Lord? |
| Pericles | Per V.i.232 | I hear most heavenly music. | I heare. Most heauenly Musicke. |
| Richard II | R2 I.iii.288 | Suppose the singing birds musicians, | |
| Richard II | R2 II.i.12 | The setting sun, and music at the close, | The setting Sun, and Musicke in the close |
| Richard II | R2 V.v.38 | And straight am nothing. But whate'er I be, | And straight am nothing. But what ere I am, Musick |
| Richard II | R2 V.v.41 | With being nothing. (The music plays) Music do I hear. | With being nothing. Musicke do I heare? |
| Richard II | R2 V.v.42 | Ha, ha; keep time! How sour sweet music is | Ha, ha? keepe time: How sowre sweet Musicke is, |
| Richard II | R2 V.v.44 | So is it in the music of men's lives; | So is it in the Musicke of mens liues: |
| Richard II | R2 V.v.61 | This music mads me. Let it sound no more; | This Musicke mads me, let it sound no more, |
| Richard III | R3 IV.ii.77 | Thou sing'st sweet music. Hark, come hither, Tyrrel. | Thou sing'st sweet Musique: / Hearke, come hither Tyrrel, |
| Romeo and Juliet | RJ I.v.26 | You are welcome, gentlemen! Come, musicians, play. | You are welcome Gentlemen, come Musitians play: |
| Romeo and Juliet | RJ I.v.27.1 | Music plays, and they dance | Musicke plaies: and the dance. |
| Romeo and Juliet | RJ II.ii.166 | Like softest music to attending ears! | Like softest Musicke to attending eares. |
| Romeo and Juliet | RJ II.v.23 | If good, thou shamest the music of sweet news | If good thou sham'st the musicke of sweet newes, |
| Romeo and Juliet | RJ II.vi.27 | This neighbour air, and let rich music's tongue | This neighbour ayre, and let rich musickes tongue, |
| Romeo and Juliet | RJ IV.iv.22 | The County will be here with music straight, | The Countie will be here with Musicke straight, |
| Romeo and Juliet | RJ IV.iv.23 | Music plays | Play Musicke |
| Romeo and Juliet | RJ IV.v.96.1 | Enter Musicians | |
| Romeo and Juliet | RJ IV.v.100 | Musicians, O musicians, ‘ Heart's ease,’ ‘ Heart's | Musitions, oh Musitions, / Hearts ease, hearts |
| Romeo and Juliet | RJ IV.v.103 | O musicians, because my heart itself plays ‘ My | O Musitions, / Because my heart it selfe plaies, my |
| Romeo and Juliet | RJ IV.v.127 | Then music with her silver sound ’ – | then Musicke with her siluer sound. |
| Romeo and Juliet | RJ IV.v.128 | Why ‘ silver sound ’? Why ‘ music with her silver sound ’? | Why siluer sound? why Musicke with her siluer sound? |
| Romeo and Juliet | RJ IV.v.133 | I say ‘ silver sound ’ because musicians | I say siluer sound, because Musitions |
| Romeo and Juliet | RJ IV.v.138 | for you. It is ‘ music with her silver sound ’ because musicians | for you; it is Musicke with her siluer sound, / Because Musitions |
| Romeo and Juliet | RJ IV.v.140 | ‘ Then music with her silver sound | Then Musicke with her siluer sound, |
| The Taming of the Shrew | TS induction.1.48 | Procure me music ready when he wakes, | Procure me Musicke readie when he wakes, |
| The Taming of the Shrew | TS induction.2.34 | Wilt thou have music? Hark, Apollo plays, | Wilt thou haue Musicke? Harke Apollo plaies, |
| The Taming of the Shrew | TS induction.2.35 | Music | Musick |
| The Taming of the Shrew | TS I.i.36 | Music and poesy use to quicken you, | Musicke and Poesie vse, to quicken you, |
| The Taming of the Shrew | TS I.i.93 | In music, instruments, and poetry, | In Musicke, Instruments, and Poetry, |
| The Taming of the Shrew | TS I.ii.132 | Well seen in music, to instruct Bianca, | Well seene in Musicke, to instruct Bianca, |
| The Taming of the Shrew | TS I.ii.171 | A fine musician to instruct our mistress. | A fine Musitian to instruct our Mistris, |
| The Taming of the Shrew | TS II.i.56 | Cunning in music and the mathematics, | Cunning in Musicke, and the Mathematickes, |
| The Taming of the Shrew | TS II.i.81 | Latin, and other languages, as the other in music and | Latine, and other Languages, / As the other in Musicke and |
| The Taming of the Shrew | TS II.i.144 | What, will my daughter prove a good musician? | What, will my daughter proue a good Musitian? |
| The Taming of the Shrew | TS III.i.7 | And when in music we have spent an hour, | And when in Musicke we haue spent an houre, |
| The Taming of the Shrew | TS III.i.10 | To know the cause why music was ordained! | To know the cause why musicke was ordain'd: |
| The Taming of the Shrew | TS III.i.58 | My lessons make no music in three parts. | My Lessons make no musicke in three parts. |
| The Taming of the Shrew | TS III.i.61 | Our fine musician groweth amorous. | Our fine Musitian groweth amorous. |
| The Taming of the Shrew | TS III.ii.146 | The quaint musician, amorous Licio – | The quaint Musician, amorous Litio, |
| The Taming of the Shrew | TS III.ii.183.1 | Music plays | Musicke playes. |
| The Taming of the Shrew | TS IV.ii.17 | Nor a musician as I seem to be, | Nor a Musitian as I seeme to bee, |
| The Tempest | Tem I.ii.388 | Where should this music be? I'th' air or th' earth? | Where shold this Musick be? I'th aire, or th' earth? |
| The Tempest | Tem I.ii.392 | This music crept by me upon the waters, | This Musicke crept by me vpon the waters, |
| The Tempest | Tem II.i.188.1 | Enter Ariel, playing solemn music | Enter Ariell playing solemne Musicke. |
| The Tempest | Tem II.i.302 | Enter Ariel with music and song | Enter Ariell with Musicke and Song. |
| The Tempest | Tem III.ii.146 | I shall have my music for nothing. | I shall haue my Musicke for nothing. |
| The Tempest | Tem III.iii.19.1 | Solemn and strange music; and Prospero on the top, | Solemne and strange Musicke: and Prosper on the top |
| The Tempest | Tem III.iii.20 | Marvellous sweet music! | Maruellous sweet Musicke. |
| The Tempest | Tem III.iii.84.1 | He vanishes in thunder. Then, to soft music, enter the | He vanishes in Thunder: then (to soft Musicke.) Enter the |
| The Tempest | Tem IV.i.60.1 | Soft music. Enter Iris | Soft musick. Enter Iris. |
| The Tempest | Tem IV.i.178 | As they smelt music. So I charmed their ears | As they smelt musicke, so I charm'd their eares |
| The Tempest | Tem V.i.52 | Some heavenly music – which even now I do – | Some heauenly Musicke (which euen now I do) |
| The Tempest | Tem V.i.58.1 | Solemn music | Solemne musicke. |
| Timon of Athens | Tim I.ii.1.1 | Hautboys playing loud music. A great banquet served | Hoboyes Playing lowd Musicke. A great Banquet seru'd |
| Timon of Athens | Tim I.ii.127 | Music make their welcome. | Musicke make their welcome. |
| Timon of Athens | Tim I.ii.129.1 | Music. Enter Cupid with a Masque of Ladies as | Enter the Maskers of |
| Timon of Athens | Tim I.ii.250 | with better music. | with better Musicke. |
| Timon of Athens | Tim III.vi.1.1 | Music. Servants attending. Enter Lucullus and | Enter diuers Friends at seuerall doores. |
| Timon of Athens | Tim III.vi.35 | ears with the music awhile, if they will fare so harshly | eares with the Musicke awhile: If they will fare so harshly |
| Titus Andronicus | Tit II.i.70 | This discord's ground, the music would not please. | This discord ground, the musicke would not please. |
| Troilus and Cressida | TC I.iii.74 | We shall hear music, wit, and oracle. | We shall heare Musicke, Wit, and Oracle. |
| Troilus and Cressida | TC III.i.1 | Music sounds within. Enter Pandarus and a Servant | Musicke sounds within. Enter Pandarus and a Seruant. |
| Troilus and Cressida | TC III.i.17 | are my titles. What music is this? | are my title: What Musique is this? |
| Troilus and Cressida | TC III.i.18 | I do but partly know, sir: it is music in parts. | I doe but partly know sir: it is Musicke in parts. |
| Troilus and Cressida | TC III.i.19 | Know you the musicians? | Know you the Musitians. |
| Troilus and Cressida | TC III.i.24 | At mine, sir, and theirs that love music. | At mine sir, and theirs that loue Musicke. |
| Troilus and Cressida | TC III.i.49 | Fair prince, here is good broken music. | faire Prince, here is good broken Musicke. |
| Troilus and Cressida | TC III.ii.132 | And shall, albeit sweet music issues thence. | And shall, albeit sweete Musicke issues thence. |
| Troilus and Cressida | TC III.iii.301 | No, but he's out o' tune thus. What music | No, but he's out a tune thus: what musicke |
| Twelfth Night | TN I.i.1.1 | Music. Enter Orsino Duke of Illyria, Curio, and other | Enter Orsino Duke of Illyria, Curio, and other |
| Twelfth Night | TN I.i.1 | If music be the food of love, play on, | IF Musicke be the food of Loue, play on,! |
| Twelfth Night | TN I.ii.59 | And speak to him in many sorts of music | And speake to him in many sorts of Musicke, |
| Twelfth Night | TN II.iv.1 | Give me some music! Now, good morrow, friends! | Giue me some Musick; Now good morow frends. |
| Twelfth Night | TN II.iv.15 | Music plays | Musicke playes. |
| Twelfth Night | TN II.iv.50 | Music plays | Musicke. |
| Twelfth Night | TN III.i.1 | Save thee, friend, and thy music. Dost thou live by | Saue thee Friend and thy Musick: dost thou liue by |
| Twelfth Night | TN III.i.107.1 | Than music from the spheres. | Then Musicke from the spheares. |
| Twelfth Night | TN V.i.108 | As howling after music. | As howling after Musicke. |
| The Two Gentlemen of Verona | TG II.vii.28 | He makes sweet music with th' enamelled stones, | He makes sweet musicke with th' enameld stones, |
| The Two Gentlemen of Verona | TG III.i.179 | There is no music in the nightingale; | There is no musicke in the Nightingale. |
| The Two Gentlemen of Verona | TG III.ii.92 | To sort some gentlemen well-skilled in music. | To sort some Gentlemen, well skil'd in Musicke. |
| The Two Gentlemen of Verona | TG IV.ii.16 | Enter Thurio and Musicians | |
| The Two Gentlemen of Verona | TG IV.ii.17 | And give some evening music to her ear. | And giue some euening Musique to her eare. |
| The Two Gentlemen of Verona | TG IV.ii.30 | you shall hear music, and see the gentleman that you | you shall heare Musique, and see the Gentleman that you |
| The Two Gentlemen of Verona | TG IV.ii.34 | That will be music. | That will be Musique. |
| The Two Gentlemen of Verona | TG IV.ii.35 | The Musicians play | |
| The Two Gentlemen of Verona | TG IV.ii.54 | How do you, man? The music likes you not. | How doe you, man? the Musicke likes you not. |
| The Two Gentlemen of Verona | TG IV.ii.55 | You mistake; the musician likes me not. | You mistake: the Musitian likes me not. |
| The Two Gentlemen of Verona | TG IV.ii.64 | I perceive you delight not in music. | I perceiue you delight not in Musique. |
| The Two Gentlemen of Verona | TG IV.ii.66 | Hark, what fine change is in the music! | Harke, what fine change is in the Musique. |
| The Two Gentlemen of Verona | TG IV.ii.81 | Exeunt Thurio and Musicians | |
| The Two Gentlemen of Verona | TG IV.ii.83 | I thank you for your music, gentlemen. | I thanke you for your Musique (Gentlemen) |
| The Two Noble Kinsmen | TNK I.i.1.1 | Music. Enter Hymen with a torch burning; a boy in | Enter Hymen with a Torch burning: a Boy, in |
| The Two Noble Kinsmen | TNK I.iii.76 | From musical coinage, why, it was a note | From misicall Coynadge; why it was a note |
| The Two Noble Kinsmen | TNK I.v.1.1 | Music. Enter the Queens with the hearses of their | Enter the Queenes with the Hearses of their |
| The Two Noble Kinsmen | TNK III.i.97 | Enter your muset, lest this match between's | Enter your Musicke least this match between's |
| The Two Noble Kinsmen | TNK III.v.31.2 | Where's the rest o'th' music? | Wher's the rest o'th Musicke. |
| The Two Noble Kinsmen | TNK III.v.137.1 | Schoolmaster knocks; enter the dancers. Music is | Musicke Dance. Knocke for Schoole. |
| The Two Noble Kinsmen | TNK IV.i.132 | They must be all gelt for musicians, | They must be all gelt for Musitians, |
| The Two Noble Kinsmen | TNK V.i.130.1 | Here music is heard and doves are seen to flutter. They | Here Musicke is heard, Doves are seene to flutter, they |
| The Two Noble Kinsmen | TNK V.i.137.1 | Still music of records. Enter Emilia in white, her | Still Musicke of Records. Enter Emilia in white, her |
| The Two Noble Kinsmen | TNK V.iv.59 | The flinty pavement, dancing as 'twere to th' music | The flinty pavement, dancing as t'wer to'th Musicke |
| The Two Noble Kinsmen | TNK V.iv.61 | Came music's origin – what envious flint, | Came Musickes origen) what envious Flint, |
| The Winter's Tale | WT IV.iv.168.1 | Music. A dance of Shepherds and Shepherdesses | Heere a Daunce of Shepheards and Shephearddesses. |
| The Winter's Tale | WT IV.iv.515 | Have you deserved: it is my father's music | Haue you deseru'd: It is my Fathers Musicke |
| The Winter's Tale | WT V.iii.98.2 | Music, awake her, strike! | Musick; awake her: Strike: |
| The Winter's Tale | WT V.iii.99 | Music | |