Play | Key Line | Modern Text | Original Text |
All's Well That Ends Well | AW I.i.169 | His jarring concord, and his discord dulcet, | His iarring, concord: and his discord, dulcet: |
All's Well That Ends Well | AW II.v.8 | knowledge, and accordingly valiant. | knowledge, and accordinglie valiant. |
All's Well That Ends Well | AW IV.i.86.2 | Acordo linta. | Acordo linta. |
Antony and Cleopatra | AC I.ii.75 | and fortune him accordingly! | and Fortune him accordingly. |
Antony and Cleopatra | AC III.ix.4 | And so proceed accordingly. | And so proceed accordingly. |
Antony and Cleopatra | AC IV.ix.8 | When men revolted shall upon record | When men reuolted shall vpon Record |
Antony and Cleopatra | AC IV.xiv.99 | A nobleness in record. But I will be | A Noblenesse in Record. But I will bee |
Antony and Cleopatra | AC V.ii.118 | The record of what injuries you did us, | The Record of what iniuries you did vs, |
As You Like It | AYL I.i.60 | your father's remembrance, be at accord. | your Fathers remembrance, be at accord. |
As You Like It | AYL II.vii.6 | We shall have shortly discord in the spheres. | We shall haue shortly discord in the Spheares: |
As You Like It | AYL V.iv.55 | to swear and to forswear, according as marriage | to sweare, and to forsweare, according as mariage |
As You Like It | AYL V.iv.62 | According to the fool's bolt, sir, and such | According to the fooles bolt sir, and such |
As You Like It | AYL V.iv.130 | You to his love must accord, | You, to his loue must accord, |
As You Like It | AYL V.iv.172 | According to the measure of their states. | According to the measure of their states. |
The Comedy of Errors | CE I.i.5 | The enmity and discord which of late | The enmity and discord which of late |
The Comedy of Errors | CE I.ii.6 | According to the statute of the town | According to the statute of the towne, |
The Comedy of Errors | CE II.i.25 | Then let your will attend on their accords. | Then let your will attend on their accords. |
The Comedy of Errors | CE V.i.290 | But he, I thank him, gnawed in two my cords. | But he I thanke him gnaw'd in two my cords, |
Coriolanus | Cor II.i.4 | Not according to the prayer of the people, for | Not according to the prayer of the people, for |
Coriolanus | Cor IV.vi.50 | We have record that very well it can, | We haue Record, that very well it can, |
Cymbeline | Cym I.v.166 | wagers recorded. | Wagers recorded. |
Cymbeline | Cym I.vi.64 | What is more cordial. Nay, I prithee take it; | What is more Cordiall. Nay, I prythee take it, |
Cymbeline | Cym I.vii.23 | I am most infinitely tied. Reflect upon him accordingly, | I am most infinitely tied. Reflect vpon him accordingly, |
Cymbeline | Cym II.iii.57 | According to the honour of his sender, | According to the Honor of his Sender, |
Cymbeline | Cym III.iii.53 | As record of fair act. Nay, many times, | As Record of faire Act. Nay, many times |
Cymbeline | Cym IV.ii.327 | And cordial to me, have I not found it | And Cordiall to me, haue I not found it |
Cymbeline | Cym V.iv.168 | of a penny cord! It sums up thousands in a trice: you | of a penny Cord, it summes vp thousands in a trice: you |
Cymbeline | Cym V.v.213 | To come. O, give me cord, or knife, or poison | To come. Oh giue me Cord, or knife, or poyson, |
Cymbeline | Cym V.v.247 | Which I gave him for cordial, she is served | Which I gaue him for Cordiall, she is seru'd, |
Hamlet | Ham I.ii.123 | This gentle and unforced accord of Hamlet | This gentle and vnforc'd accord of Hamlet |
Hamlet | Ham I.v.99 | I'll wipe away all trivial fond records, | Ile wipe away all triuiall fond Records, |
Hamlet | Ham II.i.47 | According to the phrase or the addition | According to the Phrase and the Addition, |
Hamlet | Ham II.ii.525 | My lord, I will use them according to their | My Lord, I will vse them according to their |
Hamlet | Ham III.ii.300 | Aha! Come, some music! Come, the recorders! | Oh, ha? Come some Musick. Come ye Recorders: |
Hamlet | Ham III.ii.353.1 | Enter a Player with recorders | Enter one with a Recorder. |
Hamlet | Ham III.ii.353 | O, the recorders. Let me see one. – To withdraw with | O the Recorder. Let me see, to withdraw with |
Hamlet | Ham IV.i.45 | My soul is full of discord and dismay. | My soule is full of discord and dismay. |
Henry IV Part 1 | 1H4 I.iii.3 | And you have found me – for accordingly | And you haue found me; for accordingly, |
Henry IV Part 1 | 1H4 I.iii.164 | The cords, the ladder, or the hangman rather? | The Cords, the Ladder, or the Hangman rather? |
Henry IV Part 1 | 1H4 III.i.67 | According to our threefold order taken? | According to our three-fold order ta'ne? |
Henry IV Part 2 | 2H4 induction.19 | The still-discordant wavering multitude, | The still discordant, wauering Multitude, |
Henry IV Part 2 | 2H4 II.iii.61 | For recordation to my noble husband. | For Recordation to my Noble Husband. |
Henry IV Part 2 | 2H4 II.iv.55 | never meet but you fall to some discord. You are both, | neuer meete, but you fall to some discord: you are both |
Henry IV Part 2 | 2H4 V.v.72 | We will, according to your strengths and qualities, | We will according to your strength, and qualities, |
Henry V | H5 II.ii.35 | According to the weight and worthiness. | According to the weight and worthinesse. |
Henry V | H5 II.ii.86 | You know how apt our love was to accord | You know how apt our loue was, to accord |
Henry V | H5 III.ii.58 | not according to the disciplines of the war. The | not according to the disciplines of the Warre; the |
Henry V | H5 III.vi.47 | With edge of penny cord and vile reproach. | with edge of Penny-Cord, and vile reproach. |
Henry V | H5 IV.iv.12 | O, prenez miséricorde! Ayez pitié de | O prennes miserecordie aye pitez de |
Henry V | H5 V.ii.71 | With full accord to all our just demands, | With full accord to all our iust demands, |
Henry V | H5 V.ii.327 | According to their firm proposed natures. | According to their firme proposed natures. |
Henry V | H5 V.ii.345 | Plant neighbourhood and Christian-like accord | Plant Neighbour-hood and Christian-like accord |
Henry VI Part 1 | 1H6 I.ii.29 | Froissart, a countryman of ours, records | Froysard, a Countreyman of ours, records, |
Henry VI Part 1 | 1H6 II.ii.60 | I do, my lord, and mean accordingly. | I doe my Lord, and meane accordingly. |
Henry VI Part 1 | 1H6 II.iii.11 | Madam, according as your ladyship desired, | Madame, according as your Ladyship desir'd, |
Henry VI Part 1 | 1H6 III.i.107 | O, how this discord doth afflict my soul! | Oh, how this discord doth afflict my Soule. |
Henry VI Part 1 | 1H6 III.i.196 | So will this base and envious discord breed. | So will this base and enuious discord breed. |
Henry VI Part 1 | 1H6 III.ii.83 | Great Coeur-de-lion's heart was buried, | Great Cordelions Heart was buryed; |
Henry VI Part 1 | 1H6 IV.i.188 | This jarring discord of nobility, | This iarring discord of Nobilitie, |
Henry VI Part 1 | 1H6 IV.iv.22 | Let not your private discord keep away | Let not your priuate discord keepe away |
Henry VI Part 1 | 1H6 V.v.63 | An age of discord and continual strife? | An Age of discord and continuall strife, |
Henry VI Part 2 | 2H6 II.iv.95 | There to be used according to your state. | There to be vs'd according to your State. |
Henry VI Part 2 | 2H6 II.iv.99 | According to that state you shall be used. | According to that State you shall be vs'd. |
Henry VI Part 2 | 2H6 III.i.269 | But that my heart accordeth with my tongue, | But that my heart accordeth with my tongue, |
Henry VI Part 2 | 2H6 III.ii.12 | According as I gave directions? | According as I gaue directions? |
Henry VI Part 2 | 2H6 IV.vii.12 | all the records of the realm; my mouth shall be the parliament | all the Records of the Realme, my mouth shall be the Parliament |
Henry VI Part 3 | 3H6 II.ii.152 | And had he matched according to his state, | And had he match'd according to his State, |
Henry VI Part 3 | 3H6 III.ii.77 | Accords not with the sadness of my suit: | Accords not with the sadnesse of my suit: |
Henry VI Part 3 | 3H6 V.vi.48 | And chattering pies in dismal discords sung. | And chatt'ring Pies in dismall Discords sung: |
Henry VIII | H8 III.i.106 | The cordial that ye bring a wretched lady, | The Cordiall that ye bring a wretched Lady? |
Henry VIII | H8 III.ii.106.1 | The master-cord on's heart! | The Master-cord on's heart. |
Julius Caesar | JC I.ii.257 | and hiss him, according as he pleased and displeased | and hisse him, according as he pleas'd, and displeas'd |
Julius Caesar | JC III.i.295 | According to the which, thou shalt discourse | According to the which, thou shalt discourse |
Julius Caesar | JC V.v.76 | According to his virtue let us use him, | According to his Vertue, let vs vse him |
King Edward III | E3 I.i.32 | But heaven I call to record of my vows: | But heauen I call to recorde of my vowes, |
King Edward III | E3 I.i.63 | That there, according as the custom is, | That there according as the coustome is. |
King Edward III | E3 II.i.76 | For if the touch of sweet concordant strings | For if the touch of sweet concordant strlngs, |
King Edward III | E3 II.ii.5 | Which I accordingly have done, and bring them hither | Which I accordingly haue done and bring them hither, |
King Edward III | E3 II.ii.26 | And hath accorded to your highness' suit – | And hath accorded to your highnes suite, |
King Edward III | E3 II.ii.31 | According as your charge, and brought them hither. | According as your charge, and brought them hither. |
King Edward III | E3 II.ii.33 | According to our discharge, and be gone. – | According too our discharge and be gonne: |
King John | KJ I.i.54 | Of Coeur-de-lion knighted in the field. | Of Cordelion, Knighted in the field. |
King John | KJ I.i.85 | He hath a trick of Coeur-de-lion's face; | He hath a tricke of Cordelions face, |
King John | KJ I.i.136 | Or the reputed son of Coeur-de-lion, | Or the reputed sonne of Cordelion, |
King John | KJ I.i.253 | King Richard Coeur-de-lion was thy father. | King Richard Cordelion was thy father, |
King John | KJ II.i.12 | God shall forgive you Coeur-de-lion's death | God shall forgiue you Cordelions death |
King John | KJ II.i.231 | Which trust accordingly, kind citizens, | Which trust accordingly kinde Cittizens, |
King John | KJ III.i.111 | Set armed discord 'twixt these perjured Kings. | Set armed discord 'twixt these periur'd Kings, |
King John | KJ IV.iii.127 | And if thou wantest a cord, the smallest thread | And if thou want'st a Cord, the smallest thred |
King John | KJ V.ii.118 | According to the fair play of the world, | According to the faire-play of the world, |
King Lear | KL I.i.32.3 | Cordelia, and attendants | Cordelia, and attendants. |
King Lear | KL I.i.62 | What shall Cordelia speak? Love, and be silent. | What shall Cordelia speake? Loue, and be silent. |
King Lear | KL I.i.76.2 | Then poor Cordelia! | Then poore Cordelia, |
King Lear | KL I.i.93 | According to my bond, no more nor less. | According to my bond, no more nor lesse. |
King Lear | KL I.i.94 | How, how, Cordelia! Mend your speech a little | How, how Cordelia? mend your speech a little, |
King Lear | KL I.i.124 | On her kind nursery. (To Cordelia) Hence and avoid my sight! – | On her kind nursery. Hence and avoid my sight: |
King Lear | KL I.i.182 | (To Cordelia) | |
King Lear | KL I.i.243 | And here I take Cordelia by the hand, | And here I take Cordelia by the hand, |
King Lear | KL I.i.246 | (to Cordelia) | |
King Lear | KL I.i.250 | Fairest Cordelia, that art most rich, being poor, | Fairest Cordelia, that art most rich being poore, |
King Lear | KL I.i.260 | Bid them farewell, Cordelia, though unkind. | Bid them farewell Cordelia, though vnkinde, |
King Lear | KL I.i.269 | Cordelia leaves you. I know you what you are; | Cordelia leaues you, I know you what you are, |
King Lear | KL I.i.282.2 | Come, my fair Cordelia. | Come my faire Cordelia. |
King Lear | KL I.i.282 | Exeunt France and Cordelia | Exit France and Cor. |
King Lear | KL I.ii.108 | discord; in palaces, treason; and the bond cracked 'twixt | discord; in Pallaces, Treason; and the Bond crack'd, 'twixt |
King Lear | KL I.iv.264 | How ugly didst thou in Cordelia show! | How vgly did'st thou in Cordelia shew? |
King Lear | KL II.ii.72 | Like rats, oft bite the holy cords atwain, | Like Rats oft bite the holy cords a twaine, |
King Lear | KL II.ii.164 | But misery. I know 'tis from Cordelia, | But miserie. I know 'tis from Cordelia, |
King Lear | KL III.i.46 | What it contains. If you shall see Cordelia – | What it containes. If you shall see Cordelia, |
King Lear | KL IV.iii.47.1 | Detains him from Cordelia. | |
King Lear | KL IV.iv.1.1 | Enter, with drum and colours, Cordelia, Doctor, and | Enter with Drum and Colours, Cordelia, Gentlemen, and |
King Lear | KL IV.vii.1 | Enter Cordelia, Kent, and Doctor | Enter Cordelia, Kent, and Gentleman. |
King Lear | KL IV.vii.70.1 | To be my child Cordelia. | To be my childe Cordelia. |
King Lear | KL V.i.66 | Which he intends to Lear and to Cordelia, | Which he intends to Lear and to Cordelia, |
King Lear | KL V.ii.1.2 | Cordelia holding his hand, and soldiers, over the | Cordelia, and Souldiers, ouer the |
King Lear | KL V.iii.1.2 | Lear and Cordelia as prisoners; soldiers, Captain | Lear, and Cordelia, as prisoners, Souldiers, Captaine. |
King Lear | KL V.iii.20 | Upon such sacrifices, my Cordelia, | Vpon such sacrifices my Cordelia, |
King Lear | KL V.iii.26 | Exeunt Lear and Cordelia, guarded | Exit. |
King Lear | KL V.iii.59 | The question of Cordelia and her father | |
King Lear | KL V.iii.235 | Speak, Edmund, where's the King? and where's Cordelia? | Speake Edmund, where's the King? and where's Cordelia? |
King Lear | KL V.iii.244 | Is on the life of Lear and on Cordelia. | Is on the life of Lear, and on Cordelia: |
King Lear | KL V.iii.251 | To hang Cordelia in the prison, and | To hang Cordelia in the prison, and |
King Lear | KL V.iii.255.1 | Enter Lear with Cordelia in his arms, followed by | Enter Lear with Cordelia in his armes. |
King Lear | KL V.iii.269 | Cordelia, Cordelia, stay a little. Ha! | Cordelia, Cordelia, stay a little. Ha: |
Love's Labour's Lost | LLL I.i.18 | That are recorded in this schedule here. | That are recorded in this scedule heere. |
Macbeth | Mac III.i.97 | According to the gift which bounteous nature | According to the gift, which bounteous Nature |
Macbeth | Mac IV.iii.98 | Pour the sweet milk of concord into hell, | Poure the sweet Milke of Concord, into Hell, |
Macbeth | Mac V.v.21 | To the last syllable of recorded time; | To the last Syllable of Recorded time: |
Macbeth | Mac V.vi.6.1 | According to our order. | According to our order. |
Measure for Measure | MM II.ii.40 | To fine the faults whose fine stands in record, | To fine the faults, whose fine stands in record, |
Measure for Measure | MM II.iii.8 | To them accordingly. | To them accordingly. |
Measure for Measure | MM II.iv.61 | I, now the voice of the recorded law, | I (now the voyce of the recorded Law) |
Measure for Measure | MM III.ii.38 | His neck will come to your waist – a cord, sir. | His necke will come to your wast, a Cord sir. |
Measure for Measure | MM IV.iii.78 | And sent according to command, whiles I | And sent according to command, whiles I |
Measure for Measure | MM V.i.479 | And squar'st thy life according. Thou'rt condemned, | And squar'st thy life according: Thou'rt condemn'd, |
Measure for Measure | MM V.i.501 | 'Faith, my lord. I spoke it but according to the | 'Faith my Lord, I spoke it but according to the |
The Merchant of Venice | MV I.ii.35 | them I will describe them and, according to my description | them, I will describe them, and according to my description |
The Merchant of Venice | MV II.i.1.3 | accordingly, with Portia, Nerissa, and their train | accordingly, with Portia, Nerrissa, and their traine. Flo. Cornets. |
The Merchant of Venice | MV II.ii.56 | Launcelot, father, for the young gentleman, according to | Lancelet Father, for the yong gentleman according to |
The Merchant of Venice | MV IV.i.217 | 'Twill be recorded for a precedent, | 'Twill be recorded for a President, |
The Merchant of Venice | MV IV.i.232 | When it is paid, according to the tenour. | When it is paid according to the tenure. |
The Merchant of Venice | MV IV.i.363 | Thou hast not left the value of a cord, | Thou hast not left the value of a cord, |
The Merchant of Venice | MV IV.i.385 | The other, that he do record a gift | The other, that he doe record a gift |
The Merchant of Venice | MV V.i.84 | Nor is not moved with concord of sweet sounds, | Nor is not moued with concord of sweet sounds, |
The Merry Wives of Windsor | MW I.i.236 | 'ord ‘ dissolutely.’ The 'ort is, according to our meaning, | 'ord, dissolutely: the ort is (according to our meaning) |
A Midsummer Night's Dream | MND I.i.44 | Or to her death, according to our law | Or to her death, according to our Law, |
A Midsummer Night's Dream | MND I.ii.3 | man, according to the scrip. | man according to the scrip. |
A Midsummer Night's Dream | MND III.i.69 | into that brake; and so everyone according to his cue. | into that Brake, and so euery one according to his cue. |
A Midsummer Night's Dream | MND IV.i.117 | So musical a discord, such sweet thunder. | So musicall a discord, such sweet thunder. |
A Midsummer Night's Dream | MND IV.i.142 | How comes this gentle concord in the world, | How comes this gentle concord in the world, |
A Midsummer Night's Dream | MND V.i.60 | How shall we find the concord of this discord? | How shall wee finde the concord of this discord? |
A Midsummer Night's Dream | MND V.i.123 | child on a recorder – a sound, but not in government. | childe on a Recorder, a sound, but not in gouernment. |
Much Ado About Nothing | MA I.ii.12 | this night in a dance; and if he found her accordant, he | this night in a dance, and if hee found her accordant, hee |
Much Ado About Nothing | MA III.ii.110 | proceed accordingly. | proceed accordingly. |
Much Ado About Nothing | MA V.i.228 | they have upon record, which I had rather seal | they haue vpon record, which I had rather seale |
Much Ado About Nothing | MA V.i.256 | Record it with your high and worthy deeds. | Record it with your high and worthie deedes, |
Othello | Oth II.i.192 | And this, and this the greatest discords be | And this, and this the greatest discords be |
Othello | Oth III.iii.385 | As mine own face. If there be cords or knives, | As mine owne face. If there be Cords, or Kniues, |
Pericles | Per Chorus.IV.27 | That still records with moan; or when | That still records with mone, or when |
Richard II | R2 I.i.2 | Hast thou according to thy oath and band | Hast thou according to thy oath and band |
Richard II | R2 I.i.30 | First, heaven be the record to my speech! | First, heauen be the record to my speech, |
Richard II | R2 I.iii.29 | And formally, according to our law, | And formerly according to our Law |
Richard II | R2 IV.i.229 | If thy offences were upon record, | If thy Offences were vpon Record, |
Richard II | R2 V.v.47 | But for the concord of my state and time, | But for the Concord of my State and Time, |
Richard III | R3 II.i.41 | A pleasing cordial, princely Buckingham, | A pleasing Cordiall, Princely Buckingham |
Richard III | R3 III.i.72 | Is it upon record, or else reported | Is it vpon record? or else reported |
Richard III | R3 III.i.74 | Upon record, my gracious lord. | Vpon record, my gracious Lord. |
Richard III | R3 III.v.27 | Made him my book, wherein my soul recorded | Made him my Booke, wherein my Soule recorded |
Richard III | R3 III.vii.30 | To be spoke to but by the Recorder. | To be spoke to, but by the Recorder. |
Richard III | R3 IV.iv.28 | Brief abstract and record of tedious days, | Breefe abstract and record of tedious dayes, |
Richard III | R3 V.iii.336 | And, in record, left them the heirs of shame. | And on Record, left them the heires of shame. |
Romeo and Juliet | RJ I.ii.19 | Lies my consent and fair according voice. | Lyes my consent, and faire according voice: |
Romeo and Juliet | RJ II.iv.185 | And bring thee cords made like a tackled stair, | And bring thee Cords made like a tackled staire, |
Romeo and Juliet | RJ III.i.47 | discords. Here's my fiddlestick. Here's that shall make | discords: heere's my fiddlesticke, heere's that shall make |
Romeo and Juliet | RJ III.ii.31 | Enter Nurse, wringing her hands, with the ladder of cords | Enter Nurse with cords. |
Romeo and Juliet | RJ III.ii.34 | Now, Nurse, what news? What, hast thou there the cords | Now Nurse, what newes? what hast thou there? |
Romeo and Juliet | RJ III.ii.35.1 | That Romeo bid thee fetch? | The Cords that Romeo bid thee fetch? |
Romeo and Juliet | RJ III.ii.35.2 | Ay, ay, the cords. | I, I, the Cords. |
Romeo and Juliet | RJ III.ii.132 | Take up those cords. Poor ropes, you are beguiled, | Take vp those Cordes, poore ropes you are beguil'd, |
Romeo and Juliet | RJ III.ii.136 | Come, cords. Come, Nurse. I'll to my wedding bed, | Come Cord, come Nurse, Ile to my wedding bed, |
Romeo and Juliet | RJ III.v.28 | Straining harsh discords and unpleasing sharps. | Straining harsh Discords, and vnpleasing Sharpes. |
Romeo and Juliet | RJ V.i.85 | Come, cordial and not poison, go with me | Come Cordiall, and not poyson, go with me |
Romeo and Juliet | RJ V.iii.294 | And I, for winking at your discords too, | And I, for winking at your discords too, |
The Taming of the Shrew | TS III.i.71 | ‘ Gamut I am, the ground of all accord – | Gamouth I am, the ground of all accord: |
The Taming of the Shrew | TS IV.iii.95 | According to the fashion and the time. | According to the fashion, and the time. |
The Tempest | Tem IV.i.20 | Sour-eyed disdain and discord shall bestrew | Sower-ey'd disdaine, and discord shall bestrew |
Timon of Athens | Tim I.i.5 | Which manifold record not matches? See, | Which manifold record not matches: see |
Timon of Athens | Tim IV.ii.4 | Let me be recorded by the righteous gods, | Let me be recorded by the righteous Gods, |
Titus Andronicus | Tit I.i.169 | The cordial of mine age to glad my heart. | The Cordiall of mine age to glad my hart, |
Titus Andronicus | Tit I.i.258 | Rome shall record, and when I do forget | Rome shall record, and when I do forget |
Titus Andronicus | Tit II.i.70 | This discord's ground, the music would not please. | This discord ground, the musicke would not please. |
Titus Andronicus | Tit II.iv.10 | If thou hadst hands to help thee knit the cord. | If thou had'st hands to helpe thee knit the cord. |
Troilus and Cressida | TC I.iii.14 | Whereof we have record, trial did draw | Whereof we haue Record, Triall did draw |
Troilus and Cressida | TC I.iii.110 | And hark what discord follows! Each thing meets | And hearke what Discord followes: each thing meetes |
Troilus and Cressida | TC I.iii.238 | Good arms, strong joints, true swords; and – Jove's accord – | Good armes, strong ioynts, true swords, & Ioues accord, |
Troilus and Cressida | TC V.ii.118 | To make a recordation to my soul | To make a recordation to my soule |
Twelfth Night | TN IV.iii.31 | According to my birth. What do you say? | According to my birth, what do you say? |
Twelfth Night | TN V.i.243 | O, that record is lively in my soul. | O that record is liuely in my soule, |
The Two Gentlemen of Verona | TG I.ii.8 | According to my shallow simple skill. | According to my shallow simple skill. |
The Two Gentlemen of Verona | TG I.ii.94 | And mar the concord with too harsh a descant. | And marre the concord, with too harsh a descant: |
The Two Gentlemen of Verona | TG I.iii.90 | Why, this it is; my heart accords thereto, | Why this it is: my heart accords thereto, |
The Two Gentlemen of Verona | TG II.iv.81 | Welcome him then according to his worth. | Welcome him then according to his worth: |
The Two Gentlemen of Verona | TG II.iv.180 | The ladder made of cords, and all the means | The Ladder made of Cords, and all the means |
The Two Gentlemen of Verona | TG II.vi.33 | This night he meaneth with a corded ladder | This night he meaneth with a Corded-ladder |
The Two Gentlemen of Verona | TG III.i.40 | And with a corded ladder fetch her down; | And with a Corded-ladder fetch her downe: |
The Two Gentlemen of Verona | TG III.i.117 | Why then, a ladder, quaintly made of cords, | Why then a Ladder quaintly made of Cords |
The Two Gentlemen of Verona | TG III.ii.12 | According to our proclamation, gone? | (According to our Proclamation) gon? |
The Two Gentlemen of Verona | TG IV.iii.8 | According to your ladyship's impose, | According to your Ladiships impose, |
The Two Gentlemen of Verona | TG V.iv.6 | Tune my distresses, and record my woes. | Tune my distrestes, and record my woes. |
The Two Noble Kinsmen | TNK I.i.23 | Or with them any discord bring, | Or with them any discord bring |
The Two Noble Kinsmen | TNK I.i.142 | Those that with cords, knives, drams, precipitance, | Those that with Cordes, Knives, drams precipitance, |
The Two Noble Kinsmen | TNK II.i.166 | Is there record of any two that loved | Is there record of any two that lov'd |
The Two Noble Kinsmen | TNK V.i.137.1 | Still music of records. Enter Emilia in white, her | Still Musicke of Records. Enter Emilia in white, her |
The Winter's Tale | WT I.ii.110 | I have tremor cordis on me: my heart dances, | I haue Tremor Cordis on me: my heart daunces, |
The Winter's Tale | WT I.ii.318.1 | Which draught to me were cordial. | Which Draught to me, were cordiall. |
The Winter's Tale | WT II.iii.63 | First hand me. On mine own accord I'll off, | First hand me: on mine owne accord, Ile off, |
The Winter's Tale | WT III.iii.29 | Of my poor babe, according to thy oath, | Of my poore babe, according to thine oath, |
The Winter's Tale | WT V.iii.77 | As any cordial comfort. Still methinks | As any Cordiall comfort. Still me thinkes |